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the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures

the cameras i’m talking about are p.r ones for professional tv or movie picture productions. there are heaps of ways to move such a camera. the easiest way is to grab it, put it on your shoulder and run around, but result will be a blurred and shaky movie (see ‘blair witch project’). for that reason there are tripods, dollies on tracks, steadycams and much more to sstable pictures